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Deal 1021: Staged

The crowd has been well-behaved as dusk settles over the amphitheatre. The early warm up acts were fun for passing time until the main event, but may not be memorable. Except that one guy that… but I digress. Night arrives swiftly at this place, so it almost seems as if someone has simply thrown a switch and turned off the sky. Then, as our eyes adjust, we realize that he also turned on the stars.

Everyone quickly settles back into their seats as the amphitheatre plunges from navigable to one giant tripping hazard. We all quiet with anticipation.

The stage lights come up to reveal a contraption of some sort on an empty stage.

It fires bundles into the front three rows that turn out to be ponchos. Nervous laughter ensues, but the front three rows also don the ponchos.

The device spins around. As it turns, spotlights reflect off it and scan the crowd. It stops, with a pin spot reflected onto a single seat, near an aisle. The other spotlight operators turn their lights around and join in, The seat is empty. Which seems a little strange in an otherwise sold-out house. The lights go off for a moment, then on, as all the spot operators blink their shutters in unison. Now the seat is occupied.

The occupant is dressed a little more formally than the rest of the audience. After a moment, he stands, and the crowd begins to realize that this was his entrance. He makes his way to the stage.

From that beginning, the show got weird.

At one point, he was juggling kids borrowed from the audience.

He set up a series of gramophones, and attempted to identify which was producing live sound and not a recording with the help of a small dog.

He did a knife catching act with dull knives.

It was strange and wondrous. All the professional performers who saw him were green with envy at his management of the crowd’s attention.

He did things that every critic had panned with their typical poisoned pens. But it probably didn’t help that his final bit was designed to annoy critics. He even said so from the stage, pointing out that by and large most critics would have already filed their reviews of his show by that point, so it was perfectly safe to mock them.

When the house lights came up, the audience response was immense.

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Deal 1005: Stewed Birds and Open Fire

You always want to begin with a clean workspace and a stable source of heat. If burning wood, you will need a heavy cast iron pot to spread the heat from the fire to all sides, and hold it hot as the fire burns down. You won’t need to put the pot directly in the fire, balanced at one edge is often preferred because it can be turned occasionally, or moved closer and further as wood is added and consumed.

If potatoes are handy, tuck a few at the edge of the fire, in the ashes so they don’t burn. Turn occasionally and let them roast for a while before adding them to the pot near the end.

Butter and herbs will form the base. Other fats may be used, of course. Use what is at hand as long as it isn’t rancid. Rub the bird in salt and pepper too, and brown it in the hot fat before adding anything else. If the goal is a stew and time is not on your side, you can always break the bird down into pieces that will cook quicker and render more flavor into the broth.

Of course you can even spatchcock it if you’re feeling fancy. No one really enjoys picking around the backbone anyway.

Chop a few roots, rinse ashes off your potatoes and break them into chunks, and add to the pot along with more salt and pepper and some water. If some beer is at hand that won’t be missed immediately, add it in place of half the water or so. It will cook down and make a richer broth.

If you have time to simmer them until cooked, you can always drop chunks of biscuit dough into the top of the pot. Little fluffy bombs of bread will steam in the broth in no time at all.

To serve, all you need is enough large bowls and an appetite.

More of that beer you raided for the broth would probably go well too.

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Deal 1004: Waiting

I’m passing time writing by candlelight in the depths of my cave. The tiny flame casts constantly moving shadows on the walls around me. They catch my attention and distract from the work I am trying to do.

I’d write in the daylight, but I have limited time in this place. I must achieve my goals and move on. Each time I reach this point I feel like I’ve done this before, but I must emerge eventually back into the light of day and rejoin the world. Until then, I sit in the darkness and write, pen scratching as it threads its way across the pages. 

It is a long and slow wait. In the distance I hear water dripping. I can count my heartbeats between drips. I can count the drips. I can hear that tangible evidence of time passing. And yet, I am stuck in this pool of flickering light and the perception that all time is stopped outside its reach.

I hear the occasional noise that reminds me that my primary defense here is the difficulty of finding this cave. Surely it has served other creatures as a refuge, but when I entered it aeons ago or just recently there was no recent sign. 

The reach of the light remains limited to just more than an armspan. Aside from the pen and a penkife I have little defense other than my fingernails. Those won’t serve me. Next time I find myself in this cage, I should plan to be better prepared.

But there aren’t that many that can find this cave in the first place, and fewer who can enter it. Those, such as I, are rare birds indeed. Spending some time in a gilded cage would seem fitting.

So I return to my notes on the study of the human condition, and wait for the time to be right to emerge and conduct another round of observation and interaction. Only time will tell where and when that will be. Time and the cave, but neither is speaking to me at the moment.